Oliver Stone has made commercially successful and patriotically challenged films for nearly 30 years. Starting with Platoon, he has made a career of highlighting Americas real or perceived failings and generally diminishing the greatness of our country.
His film "Platoon" portrays America's war in Viet Nam as an exercise in murder and American soldiers as moral primitives. Stone merits personal credit for his heroism as an Army soldier in Viet Nam, for which he received a Bronze Star and a Purple Heart with an Oak Leaf Cluster. Yet his brave conduct cannot excuse the worst possible excesses of a relative handful of American servicemen as representative of those who served in Southeast Asia.
"Wall Street" excoriates investment houses to the point that no parody of the film could ever so richly mischaracterize the nature of risk, initiative and profit more fully than does Stone (after making a boatload of money running-down the economic system that made his wealth possible, Stone has produced a "Wall Street" sequel that is due out soon). His sordid and uproariously conspiratorial "JFK" fosters the belief that President Kennedy was killed by factions of the U.S. government. Stones "Nixon" is a wife-slapping lush. For such efforts, Hollywood has bestowed Oscars upon him.
Stone's is an upside down world, where nothing is at it appears. For Stone, hidden meanings, invariably dark, lurk behind every corner. Prosperity for some always means oppression of the many. Liberty is a word used by the powerful to hold-down the poor. And so on, ad nauseum. Whatever the roots of Stone's twisted vision, its distortions have been popularized in one morally tainted film after another.
Today, Stone's understanding of true evil has given even his Left-wing defenders pause. In an interview published over the past few days, he decries "Jewish domination of the media" and asserts that Hitler's Holocaust is over-emphasized. He summarized his profound views of American international relations by saying, "Israel has (vile obscenity) United States foreign policy for years." Even the liberal Huffington Post called this "Stone-Cold Jew Baiting."
In Stone's world, Hitler "is an easy scapegoat," and Joseph Stalin, mass murderer extraordinaire, has to be "put in context." Stone whose father was Jewish, interestingly - is also a great admirer of brutal dictators like Fidel Castro and fascist thugs like Hugo Chavez, about whom he has made a glowing documentary.
Stone subsequently has apologized for his anti-Semitic comments, but his odd fascination with vileness today caught up with him. Never one to let truth get in the way of his perturbed historical narrative, Stone was today confronted by a reality that finally wearied of him. It's called decency, something with which the talented but twisted filmmaker is all too unfamiliar.
Let us pray that Mr. Stone will turn his formidable talent as a filmmaker to truth that is bracing but ennobling, beauty that might be hard-won but is still inspiring, and goodness that while not sugary still enriches - and that his evidently troubled inner life will be transformed by a grace God alone can give.